Typecast As The Other Woman, 2025, marker and acrylic on canvas.
Gold Plated, 2025, ink and acrylic on fiberboard.
11 January, 2025, ink and acrylic on acid free paper.
15 January, 2025, ink and acrylic on acid free paper.
The Great White Jerk-off (Go Fuck Yourselves), 2025, digital drawing.
SFMOMA 4th Floor Window, 2025, ink and acrylic on acid free paper.
31 January, 2025, ink and acrylic on acid free paper.
Alea Iacta Est (The Die Has Been Cast), 2025, ink and acrylic on acid free paper.
8 May, 2025, ink and acrylic on acid free paper.
14 December, 2024, ink and acrylic on acid free paper.
26 January, 2025, ink and acrylic on acid free paper.
Cloud City (excerpt), 2024, ink and acrylic on acid free paper.
This Inhuman Place Makes Humans Monsters, 2024, ink and acrylic on acid free paper.
Night Stacks, 2024, ink and acrylic on acid free paper.
Love Stacks, 2024, ink and acrylic on acid free paper.
Yellow Stacks, 2024, ink and acrylic on acid free paper.
Yellow and Purple Stacks, 2024, ink and acrylic on acid free paper.
Sunset Stacks, 2024, ink and acrylic on acid free paper.
Salty’s Logo, 2023, digital drawing.
Saint Ruth, 2020, digital drawing.
Self Introduction (Zine Excerpt), 2025, ink and acrylic on acid free paper.
Contact
For commissions, commendations, or questions, you can contact me via email at:
sarahlevinewoodard@gmail.com